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Впоследствии с введением на Руси христианской религии как государственной (так называемое "крещение Руси") обряд колядования был приспособлен к празднованию Рождества Христова. Священники и монахи создали новые религиозные колядки с библейскими образами, которые также приобрели большую популярность в народе. За обработку и восстановление колядок брались выдающиеся композиторы: Николай Лысенко, Станислав Людкевич и т.д. В колядках, по традиции, чествовали всех членов семьи: хозяина, хозяйку, парня, девушку. Колядование сочеталось с соответствующим театрализованным представлением, танцами, музыкой. Колядовали группами, предварительно распределив обязанности: атаман "береза", "звездочет", "михоноша" и "ряженые".

When Zorya came down, the celebration began. At this time, they first brought Didukh into the house. Under the table, under the tablecloth, under the dish - kutyu - they put straw, this straw woman, which in the current interpretation already symbolizes the manger in which Christ was born. And originally, it was probably a symbol of grain, a rich harvest. Garlic cloves were placed on the corners of the table - amulets against evil spirits. It all started with Didukh. No one sat down at the table until the father brought this Grandfather into the house.

From the beginning, these groups were all male, given that this ritual involves contact with death. Accordingly, women did not participate in it. We can already see how children and women carol. In fact, only men could do it. But, considering that this holiday is combined with the sun, the groups could not walk around the village chaotically. They followed the sun, and if it was a mountainous area, for example, the Carpathians, then they walked from below in a circle, climbing and going around each house. If the carolers did not enter a house, it means that a dead person's foot could be there, and this was a bad sign and they were very offended.