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Одно из поверий приводит нас к культу предков, что рельефно выступает в рождественской обрядности. В "святой вечер" (накануне Рождества) вечерний ужин, состоящий в Лубенском у., главным образом, из угла и компота (отвар сушеных плодов), имеет семейный и, в частности, поминальный характер: кутью оставляют на ночь для умерших родственников; по народному верованию, на стене бывают видны неясные отражения маленьких, как куклы, спускающихся к столу людей.

In ancient times, people could not understand how a person takes iron, which is hard, strong, and transforms it into other objects with the help of fire. It was a very sacred image. Therefore, we have surnames associated with the token "blacksmith" most common throughout the world. In Ukrainian - Koval, Kovalenko, Kovalchuk, etc. In Russia - Kuznetsov, in Poland - Kowalski, in Germany - Schmidt, in England - Smith. This is all related to blacksmithing, because it is the most sacred profession on earth. Remember, for example, fairy tales. Where the blacksmith goes to the Snake to reforge the voice, because it is the blacksmith who can reforge.

The group of winter calendar songs consists of carols and Christmas songs. These are majestic songs of Ukrainian farmers, related to the Proto-Slavic cult of the Sun. The ancestors of Ukrainians celebrated three phases of the sun - spring equinox, summer and winter solstice. The New Year began for the ancient Slavs from the vernal equinox (as, after all, in other European nations). Only later, the celebration of the beginning of the new year was moved to the time of the winter solstice (somewhere from the 14th century). There is a hypothesis that the very name of the holiday - "carol" - and the songs - "carols" comes from the name of the New Year in Ancient Rome (Calendae lanuarie), which indicates close contacts of Ukrainian-Slavic culture with Greco-Roman in pre-Christian times. In Ukrainian folklore, a peculiar "memory" of the spring New Year's ritual is the spring theme of many carols and Christmas carols. For example, F. Koless believes that the authentic name of the winter majestic songs in Ukrainian territory was actually "carols". Already in the 19th century, significant differences between carols and Christmas carols in terms of subject matter actually disappeared (V. Hnatiuk).