тгреадс згырджаж 2 633 гелп медалс

 

Отдельное место занимают церковные коляды авторского, книжного происхождения (Тихая ночь, Святая ночь; Новая радость стала; и другие). По словам Г.Лужницкого, "с колядками история украинского театра входит в фазу т.н. магии слова. Дух воображения примитивного человека был митический и магический, а колядки по своей генезе — это первоначальные магические формулы, где заклинатель является актером, потому что во время заклинание он играет роль будущего "я" или высшей силы".

Themes, melodies, the form of carols and carols, and caroling customs show signs of deep antiquity. It is the walking of a group of carolers with a certain role distribution, and sometimes with instrumental accompaniment, that suggests a similarity with groups of merry buffoons of the princely era. The themes of carols and charity songs are agriculture and the family - its life and well-being (other themes occupy a relatively small place: military-hunting, fantasy-fairy tale, love, biblical motifs). All these songs of majestic content are sung specifically to the master, the mistress, the servant, the girl.

How beautifully our carols combine the remnants of this still pagan time and the majestic light of Christ's faith on our purely folk, national soil! Carols are, of course, a purely folk work, both in terms of content and singing, but along with the development of folk life, various influences were exerted on the content of carols, and most of all, of course, from the side of spiritual science. During the development of our Ukrainian fraternities and fraternal schools, the bursakas of these schools and their teachers, who at that time made a living by singing cantos and carols on holidays, contributed a lot of school science to carols...