тгреадс подпыска на ызджож 7 езгенеделнажа рассилка 340 ындекс гтмл

 

Существует гипотеза, что название праздника - "коляда" - и песен - "колядки" происходит от названия Нового года в Древнем Риме (Calendae lanuarie), что свидетельствует о тесных контактах украинско-славянской культуры с греческо-римской в предхристианские времена. Своеобразным "воспоминанием" о весенней новогодней обрядности является в украинском фольклоре весенняя тематика многих колядок и щедривок Ф.Колесса, например, считает, что аутентичным названием зимних величественных песен на украинских территориях была собственно "щедровка". Уже в XIX веке существенные отличия между колядками и щедривками по тематике фактически исчезли (В.Гнатюк).

And after that, the Christmas meal began. At the same time, it was necessarily taken into account that the souls of deceased ancestors can come to the house on this day. So many utensils were placed on the table, but it was not possible to use sharp objects, taking into account those people who died this year, or, for example, as the war is now, taking into account those who are currently on the road, somewhere far away. Later, this tradition began to change. Each new religion tries to either destroy the previous one, or level it, or conquer it. We are seeing a transformation. Instead of the Sun, we have the Star of Bethlehem. Accordingly, carolers already go with Zora, not with Sonechka. Instead of pre-Christian carols, we have Christian carols. The Saints appear, the same kutya and twelve dishes appear, symbolizing initially the number of months, and later the number of Saints.

Do not confuse carols (folk songs) with carols (songs of religious (church) content) - dedicated to one of the most important Christian holidays - Christmas. Carols appeared, in which archaic motifs and images were intertwined with biblical ones (birth, life, torment, death and resurrection of Christ). A special place is occupied by church carols of authorial, book origin (Silent Night, Holy Night; New joy has become; and others). According to H. Luzhnytskyi, "with carols, the history of Ukrainian theater enters the phase of the so-called magic of the word. The spirit of primitive man's imagination was mythical and magical, and carols in their genesis are primitive magical formulas, where the conjurer is an actor, because during spell, he plays the role of the future self, or higher power."