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They sing these songs, moving in a carol band from house to house and standing under the window or near the door. After singing and congratulations after it (as a rule, in verse form - the so-called "pokolyad") carolers receive some kind of reward (also a remnant of ancient magical ritual actions). Songs about Malanka and the New Year's show-game "Goat" are separate categories of donations. In some places in Western Ukraine, the so-called rindzivki, performed at the time of the spring equinox, have also survived.

How beautifully our carols combine the remnants of this still pagan time and the majestic light of Christ's faith on our purely folk, national soil! Carols are, of course, a purely folk work, both in terms of content and singing, but along with the development of folk life, various influences were exerted on the content of carols, and most of all, of course, from the side of spiritual science. During the development of our Ukrainian fraternities and fraternal schools, the bursakas of these schools and their teachers, who at that time made a living by singing cantos and carols on holidays, contributed a lot of school science to carols...

One figure could represent death. Her face was smeared with flour, teeth were inserted from turnips, she was wrapped in a sheet, she was a silent figure. And no one wanted to play just this figure. And she was chosen by lot. She was completely static - she was started, put on the bench and she did not have to do anything. In addition, there were "other" categories in relation to the sacred world. For example, a blacksmith. Blacksmithing has long been considered a very sacred profession.