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Не следует путать колядки (народные песни) и коляды (песни религиозного (церковного) содержания) — приурочены к одному из самых главных христианских праздников — Рождеству Христову. Появились колядки, в которых архаические мотивы и образы переплетались с библейскими (рождение, жизнь, мучения, смерть и воскресение Христа).

After that, such dramas unfolded. My father took kutyu - a symbol of honoring ancestors. And with the kutyu, he could first go to the cattle, the prognostic function - to have healthy cattle, for the future harvest. Then he would go out into the yard, in some regions he would put kutyu into his mouth, and in some - with a spoon of kutyu he would go out into the yard and call Frost. But not "grandfather Frost", that Soviet one, but Frost - as an element that has a completely negative connotation: "Frost, Frost, come to my place to eat, and if you don't go now, then don't go ever: no for rye, no for wheat, not for rich arable land." That is, a kind of countermeasure so that this Frost does not freeze anything. And the children at that time, as if they were afraid of that Frost, hid somewhere under the table, and in general, when they hid under the table, they had to "becat" and "mecat" - to imitate the cattle that should be herded next year.

One figure could represent death. Her face was smeared with flour, teeth were inserted from turnips, she was wrapped in a sheet, she was a silent figure. And no one wanted to play just this figure. And she was chosen by lot. She was completely static - she was started, put on the bench and she did not have to do anything. In addition, there were "other" categories in relation to the sacred world. For example, a blacksmith. Blacksmithing has long been considered a very sacred profession.